英语翻译When Susie joined Gray's in 1922 initially her role was

英语翻译
When Susie joined Gray's in 1922 initially her role was as a paintress,and she was paid on a piecework basis.Gray's were developing a new range called Gloria Lustre designed by Gordon Forsyth.A selection of these wares was shown at the British Empire Exhibition in 1924,including a number designed by Susie.A notable example depicts cherubs underneath a fruit tree in purple and pink lustres.Gray's also showed a selection of pieces at the Exposition Des Arts Decoratifset Industrials Modernes in Paris in 1925.The majority of Susie Cooper襰 patterns,however,were hand painted floral patterns that emphasised simple brushwork effects.She also created some detailed print and detailed print patterns such as Golden Catkin and Almond Blossom.In response to the demand for brightly coloured wares from Europe,she introduced several over glaze geometric patterns such as Moon and Mountains and Cubist on a range of tea,coffee,and fancies the range was extended with some vases and plaques.Unfortunately these thickly painted pieces would often flake or rub.At some point during the mid twenties a new Liner mark with the words 'Designed by Susie Cooper' was introduced.Banded decoration was used to create a popular range of patterns for decorative and domestic wares including Harmony and Layebands,the latter produced exclusively for the London Store Heals.Nursery wares patterns such as Quadrupeds were added to the firm襰 productions alongside a limited range of silver lustre patterns.
Grays had to buy their shapes in from a range of suppliers rather than designing their own.Therefore she decided to set up in business as an independent designer; she realised that if she had stayed at Grays she would be a decorator rather than a designer.She left in 1929.Fortunately she was offered space within a small factory being set up by A.G.Richardson.No sooner had the first pieces been decorated and ready for firing,than the landlord foreclosed and Susie was forced to seek new accommodation.New premises were located at the Chelsea Works in Burslem.Simple banded and stylised floral patterns including Bronze Chrysanthemums were typical.In April the first order was taken from the Nottingham store.Business increased and Susie looked for new premises that would allow her to produce her own shapes.Wood and Sons offered her space at the Crown Works in Burslem.请勿直接用翻译工具翻译

（背景：苏西库珀是英国著名的陶瓷制品设计师）
苏西在1922年加入到格雷公司,最初她的角色是画家,她的工资是以计件为原则来付的.格雷公司正在开发由戈登福赛斯设计的被称为格洛里亚光泽的一个新系列.这些制品的选粹于1924年在英帝国展览会上展出,这其中还包括苏西的一些作品.一个最引人注意的例子是描绘隐藏在发着紫色和粉色光芒的水果树下的小天使的.格雷公司还在1925年在巴黎举办的现代工业装饰博览会上展出了一些选粹.苏西库珀的大多数作品形式都是很难绘出的用花装饰的形式,而这种形式强调的是简单的绘画效果.苏西还创造出一些复杂的图案和图案形式,像金色葇荑花和杏仁色花.为了满足欧洲对明亮色彩制品的需求,她介绍了一些在釉面上画几何图案的的样式,例如月亮,山峦和在一系列茶壶和咖啡壶上的立体派图案,并认为这一系列可以通过花瓶和装饰画板而扩大影响.很不幸,这些着色厚重的物品经常剥落和磨擦.在20世纪中叶的某个时候,一种标有"苏西库珀设计"的新的衬里标志被介绍开来.包括Harmony和Layebands在内,为了装饰的和家用的制品,带状装饰被用于创造流行新样式,后者（Layebands）专门为London Store Heals生产.婴儿室制品的样式,如四脚制品,被增加以巩固产品与有限范围内的银色光泽制品的比较.
（今天实在太晚,如果可以中午翻译补充问题）
格雷公司从供货商那里购买一系列的造型而不是自己设计.因此她（苏西库珀）决定以一个独立设计师的身份创立买卖,她意识到,如果自己待在格雷公司她将变成一个装饰者而不是一个设计者.1929年她离开了（格雷公司）.她很幸运的在由A.G. Richardson创办的小工厂里找到一席之地.在装饰好的第一批作品即将问世（装饰好的第一批作品等待烧制）前不久,企业关门了,她被迫另寻安身之处.新厂房设在伯斯勒姆的切尔西工厂.简洁的带状样式和有型的花装饰样式包括青铜色的菊花样式都是很典型的.四月份,从诺丁汉商店来了第一批订单.买卖做大了,苏西开始寻找新的允许她生产自己的设计样式的新厂房.伍德父子在伯斯勒姆的皇家工厂为她提供了空间.
（仅供参考）