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英语翻译15.STORYBOARDING THE FEATURE CARTOONIn a previous chapte

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英语翻译
15.STORYBOARDING THE FEATURE CARTOON
In a previous chapter we traced the evolution of the early storyboard and how it came to be developed as a system in which individual drawings were push-pinned onto bulletin boards,enabling the completed boards to be viewed in it’s entirety and worked on during the story conference.The completed boards were then photographed and copies passed around to all the crew.
Later,cartoon shorts made for television abandoned this method for the more convenient six or printed and reproduced on a Xerox machine in great numbers.This became necessay procedure to meet television short deadlines and constricted budgets.
However,most animated features continued to use the old fashion laborious pin-up sysytem devised over sixty years ago.Of course some recent features have been produced with television’s techniques and assemble line methods,but this merely resulted in streched-out TV looking features that in most cases didn’t do well on the large screen format.The old tried-and true pin up method still enabled producers to turn out well crafted and thought-out storyboards.
英语翻译15.STORYBOARDING THE FEATURE CARTOONIn a previous chapte
记事板制作特色卡通
在前一章我们回顾了早期故事版的发展和其怎样发展成为一个体系,在这种体系之中单独的图画被钉在布告栏上,使得完成的图版能够被全部看到也能在开会的时候修改它.然后为完成的图板照相并把复印本传给全体员工.
后来,为电视制作的卡通短片为了更方便的用复印机大量的印刷和复制而摒弃了这种方法.为了应付电视台很短的截止日期并且减少预算,这就变成了必要的步骤.
但是,大多数动画的特点都是应用六十多年前发明的过时的费力的海报体系.当然一些最新的装置随着电视技术和装配线的发展被生产出来,但是这仅仅只使看电视的设备得到延伸扩展,往往在大的屏幕格式上没多大效果.以前用过的方法和正确的把图板钉在墙上的方法仍然能使制作人制作出制作精良的东西并且能让制作人好好考虑下脚本.