帮忙写一篇堂吉诃德的summary,英文的400字~50分,

帮忙写一篇堂吉诃德的summary,英文的400字~50分,
老师叫写英文小说summary,350字到500字.本来我该写黑骏马的,结过被别人选了.只有写堂吉诃德了,但没看完,又要6天后交.400字左右吧~写堂吉诃德英文版的summary,就是介绍和点读后感吧~不要写得太好了,我雅思才5.0,写完追加至少30分~

字数自己在精简一点
In 1605 a novel appeared that has become one of the most beloved stories of European literature. It was the history of Don Quixote, the tall, gaunt knight-errant astride his fallible steed, with his potbellied, illiterate squire, Sancho Panza. These eccentric characters are as famous as Sinbad, Tarzan, Odysseus, Hamlet, or Superman. Don Quixote was immediately embraced by his countrymen; it is a testament to the novel and Miguel de Cervantes Saavedra's vivid characterization that the character of Don Quixote is still utilized to mock politicians and satirize the self-righteous.
The original story, El ingenioso hidalgo don Quijote de la Mancha, was immediately popular— with six editions in 1605 alone—and has never lost its prominence. Cervantes not only created one of the greatest comic figures of world literature, but with his realist and humanist techniques, he originated, some critics assert, the modern novel.
Part I of Don Quixote's story appeared in 1605 and was complemented ten years later—a year after the usurper, Avellaneda, published a false sequel—by Part II. In both parts of the novel, Don Quixote lives in a world created in his imagination, which had been fueled by his obsession with chivalric tales. He longs to resurrect this world he has long read of: chivalry, battles with giants and evil knights, the rescue of virtuous maidens. Instead, Don Quixote deals with windmills, bedclothes, and much disappointment. Along the way, he acquires a sidekick, Sancho, who helps Don Quixote in hopes of getting rich. This dynamic duo has provided readers throughout the centuries with humorous, yet poignant, chivalric tales.
Alonso Quijano, landowner from La Mancha, is obsessed with his library of chivalrous books. Driven mad by the inconsistencies of plot, character and philosophy that fill each volume of these seventeenth-century precursors to the fantasy novel, Quijano resolves to restore dignity to the lost profession of knight-errantry, assembles a rudimentary sword, suit of armor, and horse (the eternally-suffering-and-spavined Rocinante), and sets out into Spain in his quest for glory.
In return for this act of hysterical faith, he finds violent innkeepers, malevolent thieves, cynical shepherds, sadistic nobility, and even (due to Avellaneda's false sequel to the book's first volume, one of the most famous pieces of fan-fiction ever written) an inferior (and, in the novel, invisible) Quixote impostor.
The first few scenes involve Quixote alone against the contemporary world, but before a hundred pages have elapsed Cervantes introduces Sancho Panza, Quixote's gullible, bloated and homily-spouting squire, who in conjunction with Quixote provides the spark for endlessly bizarre discussions in which Quixote's heightened, insane conception of the world is brought crashing to earth by Sancho's sly pragmatism (discussions which occasionally end with Quixote threatening to pummel Sancho in order to shut him up).