英语翻译从地理环境上看,中国文化起源于黄河文明,是在一个相对固定而且封闭的地域环境中发展形成的.20世纪以前,中国四周几
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英语翻译
从地理环境上看,中国文化起源于黄河文明,是在一个相对固定而且封闭的地域环境中发展形成的.20世纪以前,中国四周几乎都是难以逾越的天然屏障,东、南濒临太平洋,西有喜马拉雅山和大沙漠,北有大戈壁、大草原和原始森林.在这样一个地理环境中,自古以来,安居着华夏各民族.虽然也历经一次又一次的分裂和改朝换代,但一次又一次的统一,形成多民族融合的大一统的国度.以儒家文化为核心的文化体系却被传承下来,很好地保持了氏族家长的权威制.人们的生存状态比西方人要单纯得多,因为他们只需要符合集体氏族的利益,听从和协调氏族家长的意愿就够了.在古代中国的思想史上论究的问题,大部分重视道德、政治、人生,其研究的对象也大都以人事为范围.中国服饰文化符合礼的就是美的倾向正是开端于此..
中国人性格温和,胸怀宽广,对异域文化兼收并蓄.自古以来,儒家思想、道家哲学、佛教、伊斯兰教以及基督教文化都曾在这块热土上相互碰撞、交流和融会贯通,共同形成了以含蓄、包容为特征的中国文化,加上漫长的封建社会政治体制的统治,构筑起高度发达的文化体系.这个文化体系波及并影响到周边国家,如朝鲜半岛、日本以及东南亚诸国.一般称之为“中国文化圈”,儒家思想在其中发挥着核心作用.
我国以儒、道、释为基础而形成的主流哲学和美学思想成就了中国服装造型.在中国几千年的历史进程中,在自给自足、封闭保守的状态下,儒、道、释的学说信仰三位一体,汇成了古代哲学思想的主流.我们的祖先由此也创造了底蕴深厚的宽衣服饰文化,形成了特有的以中国美学与哲学观念为主体的服饰形态,与西方截然不同.从而在服装的宽衣造型上表现出了一种中国式的神韵,流露出民族的潜在精神和文化的内在灵魂.体现了中国文化中贤德宽容,自然朴质,淡泊明志的人格境界和婉约、含蓄、内敛,柔中寓刚的道德修养.儒家以“德”、“礼”来规范服饰.儒教力求社会的伦理规范和个性的心理欲求交融统一在服饰上加以体现.儒家美学从社会整体的审美角度来要求人们着装造型的外在形式美和内在品质的气韵美相一致,体现了强化理想人格和提升道德修养的服装造型观念,服装的社会功能被无限放大,个人审美逐渐被抛弃.儒家服饰观念由于历史上长期的统治地位,对历朝历代着衣观念和基本造型都有影响.
道教认为纯自然状态是人类最理想的状态,服饰也应顺应自然,趋向自然,展现自然的人格精神.服装造型上简约、质朴,减少繁琐的装饰,并不等于精神上的匮乏,并不影响服装的美感,在与自然贴近相融的过程中,渐渐达到无我境地.服装的宽松离体使身心自由,无拘无束,穿着时油然而生一种休闲惬意、轻松自在的舒适感,体现了融己于自然的脱俗境界.而传自于印度的佛教,以其本色归元的的思想对服装的具体形态做了进一步的阐述.服装本色的作用在佛家的思想中得到加强.放弃华而不实的造型,却在不经意间显露微妙的变化创意,使服装更加实用.尽管中国历史上历代王朝起起落落、变更跌宕,但其服饰基本保留着宽衣的造型和宽松的平面直线裁剪.儒的人世思想体现了宽衣的质朴方正和严谨守礼的人格风尚;道的出世思想表达了洁心静气、超然淡泊的情感意境;释的本色思想表现了自然纯洁、宁静致远的风韵气质.
中国的服饰有浓厚的道德、礼仪色彩,以宽袍大袖为 基本特征,照理说,“穿衣戴帽”,本是“各人所好”,但在中国文 化这里,穿衣戴帽并不是、至少不完全是个人小事,它首 先是文化的表征,既是有文化与无文化的表征,又是此种文化与他种文化的表征.中国人常说“衣食住行”、 “衣食父母”,“衣”排在“食”的前面,说明服饰的重要.
从地理环境上看,中国文化起源于黄河文明,是在一个相对固定而且封闭的地域环境中发展形成的.20世纪以前,中国四周几乎都是难以逾越的天然屏障,东、南濒临太平洋,西有喜马拉雅山和大沙漠,北有大戈壁、大草原和原始森林.在这样一个地理环境中,自古以来,安居着华夏各民族.虽然也历经一次又一次的分裂和改朝换代,但一次又一次的统一,形成多民族融合的大一统的国度.以儒家文化为核心的文化体系却被传承下来,很好地保持了氏族家长的权威制.人们的生存状态比西方人要单纯得多,因为他们只需要符合集体氏族的利益,听从和协调氏族家长的意愿就够了.在古代中国的思想史上论究的问题,大部分重视道德、政治、人生,其研究的对象也大都以人事为范围.中国服饰文化符合礼的就是美的倾向正是开端于此..
中国人性格温和,胸怀宽广,对异域文化兼收并蓄.自古以来,儒家思想、道家哲学、佛教、伊斯兰教以及基督教文化都曾在这块热土上相互碰撞、交流和融会贯通,共同形成了以含蓄、包容为特征的中国文化,加上漫长的封建社会政治体制的统治,构筑起高度发达的文化体系.这个文化体系波及并影响到周边国家,如朝鲜半岛、日本以及东南亚诸国.一般称之为“中国文化圈”,儒家思想在其中发挥着核心作用.
我国以儒、道、释为基础而形成的主流哲学和美学思想成就了中国服装造型.在中国几千年的历史进程中,在自给自足、封闭保守的状态下,儒、道、释的学说信仰三位一体,汇成了古代哲学思想的主流.我们的祖先由此也创造了底蕴深厚的宽衣服饰文化,形成了特有的以中国美学与哲学观念为主体的服饰形态,与西方截然不同.从而在服装的宽衣造型上表现出了一种中国式的神韵,流露出民族的潜在精神和文化的内在灵魂.体现了中国文化中贤德宽容,自然朴质,淡泊明志的人格境界和婉约、含蓄、内敛,柔中寓刚的道德修养.儒家以“德”、“礼”来规范服饰.儒教力求社会的伦理规范和个性的心理欲求交融统一在服饰上加以体现.儒家美学从社会整体的审美角度来要求人们着装造型的外在形式美和内在品质的气韵美相一致,体现了强化理想人格和提升道德修养的服装造型观念,服装的社会功能被无限放大,个人审美逐渐被抛弃.儒家服饰观念由于历史上长期的统治地位,对历朝历代着衣观念和基本造型都有影响.
道教认为纯自然状态是人类最理想的状态,服饰也应顺应自然,趋向自然,展现自然的人格精神.服装造型上简约、质朴,减少繁琐的装饰,并不等于精神上的匮乏,并不影响服装的美感,在与自然贴近相融的过程中,渐渐达到无我境地.服装的宽松离体使身心自由,无拘无束,穿着时油然而生一种休闲惬意、轻松自在的舒适感,体现了融己于自然的脱俗境界.而传自于印度的佛教,以其本色归元的的思想对服装的具体形态做了进一步的阐述.服装本色的作用在佛家的思想中得到加强.放弃华而不实的造型,却在不经意间显露微妙的变化创意,使服装更加实用.尽管中国历史上历代王朝起起落落、变更跌宕,但其服饰基本保留着宽衣的造型和宽松的平面直线裁剪.儒的人世思想体现了宽衣的质朴方正和严谨守礼的人格风尚;道的出世思想表达了洁心静气、超然淡泊的情感意境;释的本色思想表现了自然纯洁、宁静致远的风韵气质.
中国的服饰有浓厚的道德、礼仪色彩,以宽袍大袖为 基本特征,照理说,“穿衣戴帽”,本是“各人所好”,但在中国文 化这里,穿衣戴帽并不是、至少不完全是个人小事,它首 先是文化的表征,既是有文化与无文化的表征,又是此种文化与他种文化的表征.中国人常说“衣食住行”、 “衣食父母”,“衣”排在“食”的前面,说明服饰的重要.
From the geographical point of view, Chinese culture, originated in the Yellow River civilization, is relatively fixed and closed in a geographical environment evolved. 20th century, almost all Chinese around the insurmountable natural barriers, East, South Pacific Ocean, west Himalayas and the great desert, the North has a large desert, prairie and forest. In such a geographic environment, since ancient times, housing the Chinese of all ethnic groups. Although the division and again and again through regime change, but once again the unity of the formation of the unified multi-ethnic integration of the country. To the Confucian culture as the core of the cultural system been handed down, a good parent to maintain the authority of the clan system. people's living conditions should be far simpler than Westerners, because they only need to meet the collective interests of the clan, follow the wishes of parents and coordination of the clan is enough. the history of thought in ancient China, the problem of study, most of the emphasis on moral , politics, life, the object of their research personnel are mostly for the range. Chinese clothing culture is consistent with ceremony is the beginning of this tendency of the United States..
Chinese temperate, broad-minded, eclectic culture of the exotic. Since ancient times, Confucianism, Taoism, Buddhism, Islam and Christianity have in this land of culture collide with each other, exchange and mastery, together form a subtle, Chinese culture is characterized by tolerance, coupled with the long feudal social and political system rule, to build a highly developed cultural system. Spread and impact of this culture system to neighboring countries such as the Korean peninsula, Japan and Southeast Asia. Commonly known as "Chinese cultural circle," Confucianism in playing a central role.
China to Confucianism, Taoism, Buddhism and formed the basis of the main achievements of philosophy and aesthetics of Chinese costumes. In China for several thousand years, in the self-sufficient, closed conservative state, Confucianism, Taoism, Buddhism and belief in the doctrine of the Trinity, merged into the mainstream of ancient philosophy. Which our ancestors have created deep inside the undress clothing culture, forming a unique aesthetic and philosophical concepts of Chinese clothing as the main form, and the West different. To undress in the clothing shown on the form of a Chinese-style charm, showing the potential of national spirit and culture of the inner soul. Virtuous reflects the Chinese culture of tolerance, natural primitive, indifferent chi to the realm of personality and graceful, subtle and restrained, soft in the apartment just the Moral Education. Confucianism, "Germany", "li" to regulate the dress. Confucian ethics and strive to society and personality uniform blend of the psychological desire to be reflected in the costumes. Confucian aesthetics aesthetics from the perspective of society as a whole requires people to dress formal beauty of the shape of the external and internal quality artistically consistent with the United States, reflecting the ideal personality to strengthen and enhance the concept of morality costumes, clothing social function is hugely magnified, personal aesthetic gradually abandoned. Confucian Costume historical dominance of the long-term, the concept of dynasties and the basic shape of the clothes have an impact.
Taoism believes that the ideal of pure natural state of mankind, costumes should be in harmony with nature, the natural tendency to show the spirit of the natural personality. Costumes on the simple, plain, decorated to reduce red tape, does not mean lack of spirit, does not affect the garment's beauty, blending in with nature close to the process, gradually reached without my situation. Loose clothing away from the body of the body and mind free, unrestrained, spontaneously when wearing a casual pleasure, comfort and ease, reflecting the financial realm has been refined in nature. The transmission of Buddhism from India, with its ideological character go per the specific form of clothing made further elaboration. The role of character clothing Buddhist thought has been strengthened. Give up the flashy style, but inadvertently revealed subtle changes in creativity, make clothing more practical. Despite the ups and downs of dynasties in Chinese history, change ups, but retains its basic clothing undress plane shape and straight cutting loose. Confucianism died thinking reflects the simplicity of undress Shurei personality Founder and rigorous fashion; Road, expressed the birth of thoughts calm clean air, detached indifferent to the emotional mood; interpretation of the true nature of the performance of the natural purity of thought, the quiet charm Zhiyuan temperament.
China's clothing has a strong moral, ceremonial color to Kuanpao big sleeves as the basic features, fair to say, "Dressing Up", this is the "opt for everyone," but in Chinese culture here, putting on his hat and not, at least not entirely a personal small, it is first characterization of culture, both cultural and non cultural representation, but also the culture of this culture and the characterization of his species. Chinese people always say "basic necessities", "god", "clothing" ranked in the "food" in front, indicating the importance of dress.
Chinese temperate, broad-minded, eclectic culture of the exotic. Since ancient times, Confucianism, Taoism, Buddhism, Islam and Christianity have in this land of culture collide with each other, exchange and mastery, together form a subtle, Chinese culture is characterized by tolerance, coupled with the long feudal social and political system rule, to build a highly developed cultural system. Spread and impact of this culture system to neighboring countries such as the Korean peninsula, Japan and Southeast Asia. Commonly known as "Chinese cultural circle," Confucianism in playing a central role.
China to Confucianism, Taoism, Buddhism and formed the basis of the main achievements of philosophy and aesthetics of Chinese costumes. In China for several thousand years, in the self-sufficient, closed conservative state, Confucianism, Taoism, Buddhism and belief in the doctrine of the Trinity, merged into the mainstream of ancient philosophy. Which our ancestors have created deep inside the undress clothing culture, forming a unique aesthetic and philosophical concepts of Chinese clothing as the main form, and the West different. To undress in the clothing shown on the form of a Chinese-style charm, showing the potential of national spirit and culture of the inner soul. Virtuous reflects the Chinese culture of tolerance, natural primitive, indifferent chi to the realm of personality and graceful, subtle and restrained, soft in the apartment just the Moral Education. Confucianism, "Germany", "li" to regulate the dress. Confucian ethics and strive to society and personality uniform blend of the psychological desire to be reflected in the costumes. Confucian aesthetics aesthetics from the perspective of society as a whole requires people to dress formal beauty of the shape of the external and internal quality artistically consistent with the United States, reflecting the ideal personality to strengthen and enhance the concept of morality costumes, clothing social function is hugely magnified, personal aesthetic gradually abandoned. Confucian Costume historical dominance of the long-term, the concept of dynasties and the basic shape of the clothes have an impact.
Taoism believes that the ideal of pure natural state of mankind, costumes should be in harmony with nature, the natural tendency to show the spirit of the natural personality. Costumes on the simple, plain, decorated to reduce red tape, does not mean lack of spirit, does not affect the garment's beauty, blending in with nature close to the process, gradually reached without my situation. Loose clothing away from the body of the body and mind free, unrestrained, spontaneously when wearing a casual pleasure, comfort and ease, reflecting the financial realm has been refined in nature. The transmission of Buddhism from India, with its ideological character go per the specific form of clothing made further elaboration. The role of character clothing Buddhist thought has been strengthened. Give up the flashy style, but inadvertently revealed subtle changes in creativity, make clothing more practical. Despite the ups and downs of dynasties in Chinese history, change ups, but retains its basic clothing undress plane shape and straight cutting loose. Confucianism died thinking reflects the simplicity of undress Shurei personality Founder and rigorous fashion; Road, expressed the birth of thoughts calm clean air, detached indifferent to the emotional mood; interpretation of the true nature of the performance of the natural purity of thought, the quiet charm Zhiyuan temperament.
China's clothing has a strong moral, ceremonial color to Kuanpao big sleeves as the basic features, fair to say, "Dressing Up", this is the "opt for everyone," but in Chinese culture here, putting on his hat and not, at least not entirely a personal small, it is first characterization of culture, both cultural and non cultural representation, but also the culture of this culture and the characterization of his species. Chinese people always say "basic necessities", "god", "clothing" ranked in the "food" in front, indicating the importance of dress.
英语翻译从地理环境上看,中国文化起源于黄河文明,是在一个相对固定而且封闭的地域环境中发展形成的.20世纪以前,中国四周几
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