有谁能给我发一份《哈姆莱特》中哈姆莱特个人的经典独白和奥菲利亚赞美哈姆莱特的经典对话吗?

有谁能给我发一份《哈姆莱特》中哈姆莱特个人的经典独白和奥菲利亚赞美哈姆莱特的经典对话吗?
一定要中英文对照的.急用!
我刚发现还要找一段~就是哈姆莱特赞美人的那段“人类是一件多么了不得的杰作!多么高贵的理性……”

哈姆莱特个人的经典独白：
Hamlet:
To be, or not to be - that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune
Or to take arms against a sea of troubles,
And by opposing end them. To die - to sleep -
No more; and by a sleep to say we end
The heartache, and the thousand natural shocks
That flesh is heir to. 'Tis a consummation
Devoutly to be wish'd. To die - to sleep.
To sleep - perchance to dream: ay, there's the rub!
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause. There's the respect
That makes calamity of so long life.
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office, and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin?
Who would these fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death -
The undiscover'd country, from whose bourn
No traveller returns - puzzles the will,
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry
And lose the name of action.
生存还是毁灭,这是一个值得考虑的问题；默然忍受命运的暴虐的毒箭,或是挺身反抗人世的无涯的苦难,通过斗争把它们扫清,这两种行为,哪一种更高贵?死了；睡着了；什么都完了；要是在这一种睡眠之中,我们心头的创痛,以及其他无数血肉之躯所不能避免的打击,都可以从此消失,那正是我们求之不得的结局.死了；睡着了；睡着了也许还会做梦；嗯,阻碍就在这儿：因为当我们摆脱了这一具朽腐的皮囊以后,在那死的睡眠里,究竟将要做些什么梦,那不能不使我们踌躇顾虑.人们甘心久困于患难之中,也就是为了这个缘故；谁愿意忍受人世的鞭挞和讥嘲、压迫者的凌辱、傲慢者的冷眼、被轻蔑的爱情的惨痛、法律的迁延、官吏的横暴和费尽辛勤所换来的小人的鄙视,要是他只要用一柄小小的刀子,就可以清算他自己的一生?谁愿意负着这样的重担,在烦劳的生命的压迫下呻吟流汗,倘不是因为惧怕不可知的死后,惧怕那从来不曾有一个旅人回来过的神秘之国,是它迷惑了我们的意志,使我们宁愿忍受目前的磨折,不敢向我们所不知道的痛苦飞去?这样,重重的顾虑使我们全变成了懦夫,决心的赤热的光彩,被审慎的思维盖上了一层灰色,伟大的事业在这一种考虑之下,也会逆流而退,失去了行动的意义.
奥菲利亚赞美哈姆莱特的经典对话：
OPHELIA: Good, my lord,
How does your honor for this many a day?
HAMLET: I humbly thank you; well, well, well.
OPHELIA: My lord, I have remembrances of yours
That I have longed to redeliver;
I pray you now receive them.
HAMLET: NO, not I;
I never gave you aught.
OPHELIA: My honour'd lord, I know right well you did;
And with them words of so sweet breath compos'd
As made the things more rich: their perfume lost,
Take these again; for to the noble mind
Rich gifts wax poor when givers prove unkind.
There, my lord.
HAMLET: Ha, ha! are you honest?
OPHELIA: My lord?
HAMLET: Are you fair?
OPHELIA: What means your lordship?
HAMLET: That if you be honest and fair, your honesty should admit no discourse to your beauty.
OPHELIA: Could beauty, my lord, have better commerce than with honesty?
HAMLET: Ay, truly; for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness: this was sometimes a paradox, but now the time gives it proof. I did love you once.
OPHELIA: Indeed, my lord, you made me believe so.
HAMLET: You should not have believed me; for virtue cannot so innoculate our old stock but we shall relish of it: I loved you not.
OPHELIA: I was the more deceived.
Hamlet believes that Ophelia has been contaminated by the arts of Claudius, and that she is even now his willing agent; and so in the subsequent conversation with her, he warns her to fly from the contamination of this world--not by suicide, but to a nunnery.
Go thy way to a nunnery. Where's your father?
OPHELIA: At home, my lord.
Hamlet does not believe that Polonius is at home; he has a suspicion that the King and his lord chamberlain are in hearing, and so he takes leave of Ophelia in words intended for the ears of the King:
I say, we will have no more marriages: those that are married already, all but one, shall live; the rest shall keep as they are. To a nunnery go!
OPHELIA: O what a noble mind is here o'erthrown!
The courtier's, soldier's, scholar's eye, tongue, sword;
The expectancy and rose of the fair state,
The glass of fashion and the mould of form,
The observ'd of all observers, quite, quite down
And I, of ladies most deject and wretched,
That suck'd the honey of his music vows,
Now see that noble and most sovereign reason,
Like sweet bells jangled, out of tune and harsh;
That unmatch'd form and feature of blown youth
Blasted with ecstasy: O, woe is me,
To have seen what I have seen, see what I see!
奥菲利娅 我的好殿下,您这许多天来贵体安好吗?
哈姆莱特 谢谢你,很好,很好,很好.
奥菲利娅 殿下,我有几件您送给我的纪念品,我早就想把它们还给您；请您现在收回去吧.
哈姆莱特 不,我不要；我从来没有给你什么东西.
奥菲利娅 殿下,我记得很清楚您把它们送给了我,那时候您还向我说了许多甜言蜜语,使这些东西格外显得贵重；现在它们的芳香已经消散,请您拿回去吧,因为在有骨气的人看来,送礼的人要是变了心,礼物虽贵,也会失去了价值.拿去吧,殿下.
哈姆莱特 哈哈!你贞洁吗?
奥菲利娅 殿下!
哈姆莱特 你美丽吗?
奥菲利娅 殿下是什么意思?
哈姆莱特 要是你既贞洁又美丽,那么你的贞洁应该断绝跟你的美丽来往.
奥菲利娅 殿下,难道美丽除了贞洁以外,还有什么更好的伴侣吗?
哈姆莱特 嗯,真的；因为美丽可以使贞洁变成淫荡,贞洁却未必能使美丽受它自己的感化；这句话从前像是怪诞之谈,可是现在时间已经把它证实了.我的确曾经爱过你.
奥菲利娅 真的,殿下,您曾经使我相信您爱我.
哈姆莱特 你当初就不应该相信我,因为美德不能熏陶我们罪恶的本性；我没有爱过你.
奥菲利娅 那么我真是受了骗了.
哈姆莱特 进尼姑庵去吧；为什么你要生一群罪人出来呢?我自己还不算是一个顶坏的人；可是我可以指出我的许多过失,一个人有了那些过失,他的母亲还是不要生下他来的好.我很骄傲,有仇必报,富于野心,我的罪恶是那么多,连我的思想也容纳不下,我的想像也不能给它们形像,甚至于我都没有充分的时间可以把它们实行出来.像我这样的家伙,匍匐于天地之间,有什么用处呢?我们都是些十足的坏人；一个也不要相信我们.进尼姑庵去吧.你的父亲呢?
奥菲利娅 在家里,殿下.
哈姆莱特 把他关起来,让他只好在家里发发傻劲.再会!
奥菲利娅 嗳哟,天哪!救救他!
哈姆莱特 要是你一定要嫁人,我就把这一个咒诅送给你做嫁奁：尽管你像冰一样坚贞,像雪一样纯洁,你还是逃不过谗人的诽谤.进尼姑庵去吧,去；再会!或者要是你必须嫁人的话,就嫁给一个傻瓜吧；因为聪明人都明白你们会叫他们变成怎样的怪物.进尼姑庵去吧,去；越快越好.再会!
奥菲利娅 天上的神明啊,让他清醒过来吧!
哈姆莱特 我也知道你们会怎样涂脂抹粉；上帝给了你们一张脸,你们又替自己另外造了一张.你们烟视媚行,淫声浪气,替上帝造下的生物乱取名字,卖弄你们不懂事的风骚.算了吧,我再也不敢领教了；它已经使我发了狂.我说,我们以后再不要结什么婚了；已经结过婚的,除了一个人以外,都可以让他们活下去；没有结婚的不准再结婚,进尼姑庵去吧,去.（下.）
奥菲利娅 啊,一颗多么高贵的心是这样殒落了!朝臣的眼睛、学者的辩舌、军人的利剑、国家所瞩望的一朵娇花；时流的明镜、人伦的雅范、举世注目的中心,这样无可挽回地殒落了!我是一切妇女中间最伤心而不幸的,我曾经从他音乐一般的盟誓中吮吸芬芳的甘蜜,现在却眼看着他的高贵无上的理智,像一串美妙的银铃失去了谐和的音调,无比的青春美貌,在疯狂中雕谢!啊!我好苦,谁料过去的繁华,变作今朝的泥土!